﻿{"id":301,"date":"2016-06-09T14:03:01","date_gmt":"2016-06-09T12:03:01","guid":{"rendered":"http:\/\/www.ilcinemamuto.it\/betatest\/?page_id=301"},"modified":"2020-06-12T12:47:32","modified_gmt":"2020-06-12T10:47:32","slug":"monografie","status":"publish","type":"page","link":"https:\/\/www.ilcinemamuto.it\/betatest\/riviste-e-monografie\/monografie\/","title":{"rendered":"Monografie"},"content":{"rendered":"<div id=\"pl-301\"  class=\"panel-layout\" ><div id=\"pg-301-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-0\" style=\"text-align: center;padding: 0px 0; \" data-stretch-type=\"full\" data-overlay=\"true\" data-overlay-color=\"#000000\" ><div id=\"pgc-301-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-0-0-0\" class=\"so-panel widget widget_bcn_widget widget_breadcrumb_navxt panel-first-child panel-last-child\" data-index=\"0\"><div style=\"text-align: left\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-0-0-0\"><div class=\"breadcrumbs\" vocab=\"https:\/\/schema.org\/\" typeof=\"BreadcrumbList\">&gt;&gt;<span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"Vai a Portale Cinema Muto Italiano.\" href=\"https:\/\/www.ilcinemamuto.it\/betatest\" class=\"home\" aria-current=\"page\"><span property=\"name\">Portale Cinema Muto Italiano<\/span><\/a><meta property=\"position\" content=\"1\"><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-1\" style=\"padding: 50px 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-1-0-0\" class=\"so-panel widget widget_sow-headline panel-first-child panel-last-child\" data-index=\"1\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-79cda08ec95a-301 so-widget-fittext-wrapper\"\n\t\t\t data-fit-text-compressor=\"0.85\"\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h1 class=\"sow-headline\">\n\t\t\t\t\t\tMonografie d'epoca\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<h5 class=\"sow-sub-headline\">\n\t\t\t\t\t\tElenco in progress delle monografie d\u2019epoca che documentano, dal punto di vista editoriale, la storia del cinema muto italiano: dagli scritti teorici fino ai manuali tecnici e professionali, passando attraverso l\u2019ampia letteratura divistica e i vari testi letterari connessi al cinema.\t\t\t\t\t\t<\/h5>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-2\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"2\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-2-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: left;\">Le numerose monografie d\u2019epoca che documentano dal punto di vista editoriale la storia del cinema muto italiano appartengono a tipologie editoriali piuttosto diversificate. Da ricordare, prima di tutto, sono i <em>manuali tecnici e professionali<\/em>, come la <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=CUB0402169\" target=\"_blank\" rel=\"noopener noreferrer\">guida Hoepli sulla cinematografia firmata da Mariani<\/a>, o il celebre volume di Paul Liesegang <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO00557958\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Il cinematografo<\/em><\/a>, considerato per molti anni come il pi\u00f9 serio e autorevole manuale tecnico pubblicato in Europa, e meritoriamente tradotto dal tedesco dai fratelli Bocca nel 1909.<\/p>\n<p style=\"text-align: left;\">I manuali pi\u00f9 noti sono per i proiezionisti (per esempio quelli di <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=NAP0231857\" target=\"_blank\" rel=\"noopener noreferrer\">Guglielmo Re<\/a>, <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=RAV0207408\" target=\"_blank\" rel=\"noopener noreferrer\">Carlo Laguna<\/a> e <a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0003213\" target=\"_blank\" rel=\"noopener noreferrer\">Luigi Sassi<\/a>). In alcuni casi, tuttavia, le pubblicazioni tecniche erano destinate non tanto a chi gi\u00e0 lavorava nel settore ma a coloro che nutrivano l\u2019ambizione, pi\u00f9 o meno velleitaria, di entrare nel mondo del cinema. In questo caso, i settori d\u2019attivit\u00e0 che attiravano maggiormente erano la sceneggiatura (si vedano le <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO00988480\" target=\"_blank\" rel=\"noopener noreferrer\">dispense del corso di corrispondenza redatte da Renzo Chiosso<\/a> oppure il <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO01027343\" target=\"_blank\" rel=\"noopener noreferrer\">manuale di Pasquale Marica<\/a>) e la recitazione (documentata ad esempio dalle tre edizioni del <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=CUB0061664\" target=\"_blank\" rel=\"noopener noreferrer\">fortunato manuale dell\u2019attore Paolo Azzurri<\/a>).<\/p>\n<p style=\"text-align: left;\">Una seconda tipologia editoriale \u00e8 rappresentata dall\u2019ampia <em>letteratura divistica<\/em>, ossia dagli scritti dedicati a singoli attori e attrici del cinema muto italiano, per lo pi\u00f9 aneddotici e impressionistici, sia all\u2019interno di volumi pi\u00f9 generali dedicati al fenomeno divistico (come nei volumi di <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=CUB0459698\" target=\"_blank\" rel=\"noopener noreferrer\">Ottorino Modugno<\/a> e <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=RAV0290437\" target=\"_blank\" rel=\"noopener noreferrer\">Arturo Lanocita<\/a>), sia in specifici albi biografici, tipici degli anni Venti (come <a href=\"http:\/\/www.fondazionecsc.it\/bib_biblio_digitale_detail.jsp?area=32&amp;ID_LINK=148&amp;id_context=3072\" target=\"_blank\" rel=\"noopener noreferrer\">la collana \u201cI grandi artisti del cinema\u201d<\/a> della casa editrice milanese Gloriosa).<\/p>\n<p style=\"text-align: left;\">Meno consistente, ma tutt\u2019altro che trascurabile, \u00e8 invece la tipologia dei <em>testi monografici teorici<\/em> (spesso non veri e propri volumi ma opuscoli ed estratti). Buona parte delle monografie riconducibili a questa tipologia sono improntati a riflessioni estetiche, come una larga parte de <a href=\"https:\/\/archive.org\/details\/ilteatromuto00gariuoft\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Il teatro muto<\/em><\/a> del regista e produttore Piero Antonio Gariazzo, <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO01069876\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La fabbrica dei sogni<\/em><\/a>, dello scrittore e sceneggiatore Vittorio Emanuele Bravettae i due importanti volumi di Sebastiano Arturo Luciani, <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=TO00958346\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Verso una nuova arte: il cinematografo<\/em><\/a> e <em><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0002552\" target=\"_blank\" rel=\"noopener noreferrer\">L\u2019antiteatro<\/a><\/em>.<\/p>\n<p style=\"text-align: left;\">Esistono tuttavia anche riflessioni teoriche sul cinema ispirate, per esempio, da temi scientifici (come l\u2019estratto da rivista firmato <a href=\"http:\/\/www.museocinema.it\/filmtheories\/documenti.php?id=7&amp;idDoc=4\" target=\"_blank\" rel=\"noopener noreferrer\">dallo psicologo Mario Ponzo<\/a>), pedagogici (come <a href=\"http:\/\/www.museocinema.it\/filmtheories\/documenti.php?id=9\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Il cinematografo nelle scuole<\/em><\/a> del filosofo Francesco Orestano), giuridici (come il corposo <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=PUV0476847\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La cinematografia e la legge<\/em><\/a>, di Umberto Tiranty o <a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0026948\" target=\"_blank\" rel=\"noopener noreferrer\"><em>La contabilit\u00e0 per il cinema, e raccolta di leggi e disposizioni riguardanti il cinematografo<\/em><\/a> \u00a0di Italo Sinigaglia Sassi ecc. Ben pi\u00f9 numerosa \u00e8 comunque la produzione editoriale dei cataloghi di vendita di articoli di ottica, fotografia e cinematografia (da segnalare per esempio quelli pubblicati dall\u2019<a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO01743731\" target=\"_blank\" rel=\"noopener noreferrer\">Ambrosio<\/a>).<\/p>\n<p style=\"text-align: left;\">Un\u2019ultima tipologia \u00e8 rappresentata, infine, dai testi letterari, e comprende pubblicazioni di diversa natura: le fonti narrative e teatrali di alcune importanti produzioni italiane dell\u2019epoca integrate con fotografie del film (come nel caso dei <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=TO00974024\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Promessi sposi <\/em>edito da Hoepli<\/a>, o di <em><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0024951\" target=\"_blank\" rel=\"noopener noreferrer\">Quo Vadis<\/a><\/em> pubblicato da Treves); la produzione letteraria di soggettisti e registi del cinema muto italiano, precedente o parallela alla loro attivit\u00e0 cinematografica (\u00e8 il caso <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=CFI0646505\" target=\"_blank\" rel=\"noopener noreferrer\">della \u2018novellizazzione\u2019 di Emilio Ghione<\/a>, o delle raccolte poetiche di <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=CUB0290571\" target=\"_blank\" rel=\"noopener noreferrer\">Arrigo Frusta<\/a> e <a href=\"http:\/\/www.rivistecinema.it\/Monografie\/monografie.html?ID=CUB0417336\" target=\"_blank\" rel=\"noopener noreferrer\">Nino Oxilia<\/a>);i romanzi, i racconti e le commedie di argomento cinematografico (come <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=TO01926985\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cinematografo. Scene famigliari per fanciulle<\/em><\/a> di Anna Vertua Gentile o <a href=\"http:\/\/www.librinlinea.it\/search\/public\/appl\/dettaglio.php?bid=CUB0259990\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Al cinematografo<\/em><\/a>, pubblicato nel 1907 dal giornalista Gualtiero Italo Fabbri)<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-301-2-0-1\" class=\"so-panel widget widget_sow-headline panel-last-child\" data-index=\"3\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-2-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-3799e1f75220-301\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-3\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-3-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"4\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/come-si-possa-diventare-artisti-1914-cop8-001.jpg\" width=\"180\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/come-si-possa-diventare-artisti-1914-cop8-001.jpg 578w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/come-si-possa-diventare-artisti-1914-cop8-001-230x358.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/come-si-possa-diventare-artisti-1914-cop8-001-350x545.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/come-si-possa-diventare-artisti-1914-cop8-001-480x747.jpg 480w\" sizes=\"(max-width: 180px) 100vw, 180px\" title=\"come si possa diventare artisti 1914 cop8-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-3-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"5\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Azzurri, Paolo<\/p>\n<p><em>Come si possa diventare artisti cinematografici : metodo teorico-pratico<\/em><\/p>\n<p>Firenze, Edizioni della scuola cinematografica \u201cAzzurri\u201d, 1914.<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Come_si_possa_diventare_artisti_cinematografici_1914.pdf\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-3-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Come-si-possa-diventare-artisti-1914-190x280.jpg\" width=\"190\" height=\"280\" sizes=\"(max-width: 190px) 100vw, 190px\" title=\"Come si possa diventare artisti-1914\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><div id=\"panel-301-3-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"7\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Azzurri, Paolo<\/p>\n<p><em>Come si possa diventare artisti cinematografici : manuale teorico-pratico<\/em><\/p>\n<p>Firenze, Scuola Cinematografica Azzurri, 1917 <a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Come_si_possa_diventrae_artisti_cinematografici_seconda_edizione.pdf\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-3-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Come-si-possa-diventare-1926-202x280.jpg\" width=\"202\" height=\"280\" sizes=\"(max-width: 202px) 100vw, 202px\" title=\"Come si possa diventare-1926\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><div id=\"panel-301-3-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"9\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Azzurri, Paolo<\/p>\n<p><em>Come si possa diventare artisti cinematografici : manuale teorico-pratico<\/em><\/p>\n<p>Firenze, Edizioni della Scuola Cinematografica Azzurri, 1926.<\/p>\n<p><a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-3-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-3-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/profili-di-hollywood-cop4-001.jpg\" width=\"190\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/profili-di-hollywood-cop4-001.jpg 610w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/profili-di-hollywood-cop4-001-230x339.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/profili-di-hollywood-cop4-001-350x516.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/profili-di-hollywood-cop4-001-480x708.jpg 480w\" sizes=\"(max-width: 190px) 100vw, 190px\" title=\"profili di hollywood &#8211; cop4 001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><div id=\"panel-301-3-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"11\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Baffico, Mario<\/p>\n<p><em>Dei e semidei del \u2018900<\/em><\/p>\n<p>Milano, Gorlini, 1930<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0028480\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-3-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-3-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Evoluzione-del-mimo.jpg\" width=\"177\" height=\"271\" sizes=\"(max-width: 177px) 100vw, 177px\" title=\"Evoluzione del mimo\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><div id=\"panel-301-3-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"13\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-3-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Bragaglia, Anton Giulio<\/p>\n<p><em>Evoluzione del mimo<\/em><\/p>\n<p>Milano, Ceschina 1930<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0016761\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-4\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-4-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"14\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/film-sonoro.jpg\" width=\"190\" height=\"280\" sizes=\"(max-width: 190px) 100vw, 190px\" title=\"film sonoro\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-4-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"15\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Bragaglia, Anton Giulio<\/p>\n<p><em>Nuovi orizzonti della cinematografia : il film sonoro<\/em><\/p>\n<p>Milano, Corbaccio 1929<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0002775\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-4-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"16\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Hollywood-visione-che-incanta-185x280.jpg\" width=\"185\" height=\"280\" sizes=\"(max-width: 185px) 100vw, 185px\" title=\"Hollywood visione che incanta\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-4-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"17\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Colombini Umberto<\/p>\n<p><em>Hollywood visione che incanta<\/em><\/p>\n<p>Torino, Lattes,1929<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0000386\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-4-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"18\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Diomira-Jacobini-202x280.jpg\" width=\"202\" height=\"280\" sizes=\"(max-width: 202px) 100vw, 202px\" title=\"Diomira Jacobini\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-4-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"19\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Diomira Jacobini<\/em><\/p>\n<p>Milano, Gloriosa, [19.]<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Diomira_Jacobini-1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-4-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-4-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"20\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Elena-Sangro-205x280.jpg\" width=\"205\" height=\"280\" sizes=\"(max-width: 205px) 100vw, 205px\" title=\"Elena Sangro\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-4-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"21\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Elena Sangro<\/em><\/p>\n<p>Milano, Gloriosa, [19.]<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Rina_De_Liguoro_1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-4-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-4-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"22\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Fabbri-Al-cinematografo001.jpg\" width=\"187\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Fabbri-Al-cinematografo001.jpg 568w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Fabbri-Al-cinematografo001-230x344.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Fabbri-Al-cinematografo001-350x524.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Fabbri-Al-cinematografo001-480x718.jpg 480w\" sizes=\"(max-width: 187px) 100vw, 187px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-4-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"23\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-4-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Fabbri, Gualtiero Italo<\/p>\n<p><em>Al cinematografo : Novella<\/em><\/p>\n<p>Milano, P. Tonini, 1907<\/p>\n<p><a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-5\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-5-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"24\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/teatro-muto.jpg\" width=\"162\" height=\"234\" sizes=\"(max-width: 162px) 100vw, 162px\" title=\"teatro muto\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-5-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"25\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Gariazzo, Pier Antonio<\/p>\n<p><em>Il teatro muto<\/em><\/p>\n<p>Torino, Lattes, 1919<\/p>\n<p><a href=\"https:\/\/scuolacinema.sebina.it\/opac\/resource\/il-teatro-muto\/CSC0002575\" target=\"_blank\" rel=\"noopener\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a>, <a href=\"https:\/\/archive.org\/details\/ilteatromuto00gariuoft\" target=\"_blank\" rel=\"noopener\">ARC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-5-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"26\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-censura-cop6-001-e1497019278224.jpg\" width=\"182\" height=\"280\" sizes=\"(max-width: 182px) 100vw, 182px\" title=\"la censura cop6-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-5-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"27\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Guadagnini, Giuseppe<\/p>\n<p><em>La censura degli spettacoli cinematografici<\/em><\/p>\n<p>Roma, Tipografie delle Mantellate, 1918<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0001906\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-5-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-5-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"28\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Italia-Almirante.jpg\" width=\"194\" height=\"280\" sizes=\"(max-width: 194px) 100vw, 194px\" title=\"Italia Almirante\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-5-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"29\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Italia Almirante<\/em><\/p>\n<p>Milano, Gloriosa, 1926<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Italia_Almirante_1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-5-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-5-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"30\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/novelle-del-cinematografo.jpg\" width=\"146\" height=\"230\" sizes=\"(max-width: 146px) 100vw, 146px\" title=\"novelle del cinematografo\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-5-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"31\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Jarro (G. Piccini)<\/p>\n<p><em>Le novelle del cinematografo<\/em><\/p>\n<p>Firenze, R. Bemporad e Figlio, 1910<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0012476\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a>, <a href=\"https:\/\/archive.org\/details\/lenovelledelcine00jarr\" target=\"_blank\" rel=\"noopener\">ARC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-5-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-5-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"32\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/il-cinematografo-cop3-001.jpg\" width=\"180\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/il-cinematografo-cop3-001.jpg 579w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/il-cinematografo-cop3-001-230x358.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/il-cinematografo-cop3-001-350x544.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/il-cinematografo-cop3-001-480x746.jpg 480w\" sizes=\"(max-width: 180px) 100vw, 180px\" title=\"il cinematografo cop3-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-5-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"33\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-5-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Laguna, Carlo<\/p>\n<p><em>Il cinematografo<\/em><\/p>\n<p>Milano, Societ\u00e0 editoriale milanese, 1909<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0005928\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-6\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-6-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"34\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Attrici-e-attori-in-pigiama.jpg\" width=\"199\" height=\"280\" sizes=\"(max-width: 199px) 100vw, 199px\" title=\"Attrici e attori in pigiama\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-6-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"35\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Lanocita, Arturo<\/p>\n<p><em>Attrici e attori in pigiama<\/em><\/p>\n<p>Milano, Ceschina, 1926<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0002887\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-6-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"36\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Il-cinematografo.jpg\" width=\"189\" height=\"280\" sizes=\"(max-width: 189px) 100vw, 189px\" title=\"Il cinematografo\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-6-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"37\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Liesegang, F. Paul<\/p>\n<p><em>\u00a0Il cinematografo : manuale di cinematografia<\/em><\/p>\n<p>Milano - Torino, Fratelli Bocca 1909<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0005945\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-6-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"38\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/antiteatro.jpg\" width=\"191\" height=\"280\" sizes=\"(max-width: 191px) 100vw, 191px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-6-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"39\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Luciani, Sebastiano Arturo<\/p>\n<p><em>L\u2019 antiteatro : il cinematografo come arte : con 14 incisioni e una novella completamente sceneggiata<\/em><\/p>\n<p>Firenze, La voce 1928<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0002552\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-6-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-6-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"40\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Maciste.jpg\" width=\"196\" height=\"280\" sizes=\"(max-width: 196px) 100vw, 196px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-6-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"41\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Maciste (Bartolomeo Pagano) <\/em><\/p>\n<p>Milano, Gloriosa 1926<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Maciste__Bartolomeo_Pagano_1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-6-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-6-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"42\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Maria-Jacobini.jpg\" width=\"195\" height=\"280\" sizes=\"(max-width: 195px) 100vw, 195px\" title=\"Maria Jacobini\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-6-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"43\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-6-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>\u00a0<\/em><em>Maria Jacobini <\/em><\/p>\n<p>Gloriosa 1926<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Maria_Jacobini_1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-7\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-7\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-7-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"44\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-della-cinematografia.jpg\" width=\"186\" height=\"280\" sizes=\"(max-width: 186px) 100vw, 186px\" title=\"Guida pratica della cinematografia\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-7-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"45\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Mariani, Vittorio<\/p>\n<p><em>Guida pratica della cinematografia<\/em><\/p>\n<p>Hoepli, 1916<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0001653\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-7-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"46\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/larte-di-fare-cop5-001-e1472475835634.jpg\" width=\"231\" height=\"280\" sizes=\"(max-width: 231px) 100vw, 231px\" title=\"l&#8217;arte di fare cop5-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-7-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"47\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Marica, Pasquale<\/p>\n<p><em>L\u2019arte di fare un soggetto per cinematografo <\/em><\/p>\n<p>Fileti &amp; C.1920<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0019942\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-7-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-7-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"48\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/grandi-films-cop14-001.jpg\" width=\"195\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/grandi-films-cop14-001.jpg 628w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/grandi-films-cop14-001-230x330.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/grandi-films-cop14-001-350x502.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/grandi-films-cop14-001-480x688.jpg 480w\" sizes=\"(max-width: 195px) 100vw, 195px\" title=\"grandi films cop14-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-7-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"49\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Masetti, Umberto<\/p>\n<p><em>I grandi films : fotogrammi, dati di produzione e trame delle pi\u00f9 importanti opere cinematografiche con considerazioni critiche<\/em><\/p>\n<p>Roma, Cinematografo 1931<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0002087\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-7-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-7-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"50\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/donne-mute-cop13-001.jpg\" width=\"193\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/donne-mute-cop13-001.jpg 619w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/donne-mute-cop13-001-230x334.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/donne-mute-cop13-001-350x509.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/donne-mute-cop13-001-480x698.jpg 480w\" sizes=\"(max-width: 193px) 100vw, 193px\" title=\"donne mute cop13-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-7-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"51\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Modugno, Ottorino<\/p>\n<p><em>Le donne mute<\/em><\/p>\n<p>Firenze, Cecconi, 1918<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0028469\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-7-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-7-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"52\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/cinematografo-nelle-scuole.jpg\" width=\"189\" height=\"280\" sizes=\"(max-width: 189px) 100vw, 189px\" title=\"cinematografo nelle scuole\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-7-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"53\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-7-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Orestano, Francesco<\/p>\n<p><em>Il cinematografo nelle scuole : relazione presentata all\u2019Istituto Minerva da Francesco Orestano il 10 dicembre 1913, in Roma<\/em><\/p>\n<p>Como ,Premiata Tipografia Cooperativa Comense Aristide Bari, 1914 .<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0024728\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-8\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-8-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"54\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/alcune-osservazioni-psicologiche.jpg\" width=\"189\" height=\"280\" sizes=\"(max-width: 189px) 100vw, 189px\" title=\"alcune osservazioni psicologiche\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-8-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"55\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Ponzo, Mario<\/p>\n<p><em>Di alcune osservazioni psicologiche fatte durante rappresentazioni cinematografiche <\/em><\/p>\n<p>Torino : V. Bona, 1911<\/p>\n<p><a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-8-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"56\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/cinematografo-e-i-suoi-accessori.jpg\" width=\"194\" height=\"280\" sizes=\"(max-width: 194px) 100vw, 194px\" title=\"cinematografo e i suoi accessori\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-8-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"57\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Re, Guglielmo<\/p>\n<p><em>Il cinematografo e i suoi accessori : lanterna magica e apparecchi affini <\/em><\/p>\n<p>Milano : U. Hoepli, 1907<\/p>\n<p><a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-8-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-8-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"58\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Rina-De-Liguoro.jpg\" width=\"194\" height=\"280\" sizes=\"(max-width: 194px) 100vw, 194px\" title=\"Rina De Liguoro\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-8-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"59\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Rina De Liguoro <\/em><\/p>\n<p>Milano, Gloriosa, 1926<\/p>\n<p><a href=\"https:\/\/www.fondazionecsc.it\/wp-content\/uploads\/2019\/11\/Rina_De_Liguoro_1.pdf\">CSC<\/a> , <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-8-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-8-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"60\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/5-anni-di-vita-del-luce-cop7-001.jpg\" width=\"182\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/5-anni-di-vita-del-luce-cop7-001.jpg 585w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/5-anni-di-vita-del-luce-cop7-001-230x354.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/5-anni-di-vita-del-luce-cop7-001-350x538.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/5-anni-di-vita-del-luce-cop7-001-480x738.jpg 480w\" sizes=\"(max-width: 182px) 100vw, 182px\" title=\"5 anni di vita del luce cop7-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-8-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"61\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Sardi, Alessandro<\/p>\n<p><em>Cinque anni di vita dell\u2019Istituto Nazionale Luce <\/em><\/p>\n<p>Grafica, 1930<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0009964\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-8-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-8-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"62\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Le-proiezioni.jpg\" width=\"190\" height=\"280\" sizes=\"(max-width: 190px) 100vw, 190px\" title=\"Le proiezioni\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-8-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"63\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-8-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Sassi, Luigi<\/p>\n<p><em>Le proiezioni : materiale, accessori, vedute a movimento, positive sul vetro, proiezioni speciali policrome, stereoscopiche, panoramiche, didattiche, ecc.<\/em><\/p>\n<p>Milano, U. Hoepli, 1897<\/p>\n<p><a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-9\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-9\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-9-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"64\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Proiezioni-fisse-e-cinematografo.jpg\" width=\"174\" height=\"257\" sizes=\"(max-width: 174px) 100vw, 174px\" title=\"Proiezioni fisse e cinematografo\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-9-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"65\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Sassi, Luigi<\/p>\n<p><em>Proiezioni fisse e cinematografo: con 38 incisioni ed una tavola<\/em><\/p>\n<p>Milano, Hoepli, 1911<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0003213\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-9-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"66\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/arte-silenziosa-cop12-001.jpg\" width=\"173\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/arte-silenziosa-cop12-001.jpg 557w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/arte-silenziosa-cop12-001-230x372.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/arte-silenziosa-cop12-001-350x566.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/arte-silenziosa-cop12-001-480x776.jpg 480w\" sizes=\"(max-width: 173px) 100vw, 173px\" title=\"arte silenziosa cop12-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-9-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"67\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Scocco, G.<\/p>\n<p><em>L\u2019 arte silenziosa . L\u2019espressione dei sentimenti portati al cinematografo<\/em><\/p>\n<p>Luzzatti 1918<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0028389\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-9-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-9-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"68\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Quo-vadis_.jpg\" width=\"171\" height=\"245\" sizes=\"(max-width: 171px) 100vw, 171px\" title=\"Quo vadis_\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-9-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"69\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Sienkiewicz, Henryk<\/p>\n<p><em>Quo vadis? : romanzo : edizione cinematografica cio\u00e8 illustrata da 78 quadri tratti dalle celebri Films della Societ\u00e0 Italiana Cines<\/em><\/p>\n<p>Milano, Treves, 1914<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0024951\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-9-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-9-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"70\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/per-diventare-attori-cinematografici-cop11-001.jpg\" width=\"196\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/per-diventare-attori-cinematografici-cop11-001.jpg 630w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/per-diventare-attori-cinematografici-cop11-001-230x329.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/per-diventare-attori-cinematografici-cop11-001-350x500.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/per-diventare-attori-cinematografici-cop11-001-480x686.jpg 480w\" sizes=\"(max-width: 196px) 100vw, 196px\" title=\"per diventare attori cinematografici cop11-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-9-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"71\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Simonetti, Olindo<\/p>\n<p><em>Per diventare attori cinematografici. Manuale teorico-pratico per gli aspiranti all\u2019arte muta<\/em><\/p>\n<p>Fichera, 1923<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0009415\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-9-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-9-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"72\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/contab.-per-il-cinema-cop10-001.jpg\" width=\"196\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/contab.-per-il-cinema-cop10-001.jpg 630w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/contab.-per-il-cinema-cop10-001-230x329.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/contab.-per-il-cinema-cop10-001-350x500.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/contab.-per-il-cinema-cop10-001-480x686.jpg 480w\" sizes=\"(max-width: 196px) 100vw, 196px\" title=\"contab. per il cinema cop10-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-9-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"73\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-9-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Sinigaglia, Italo<\/p>\n<p><em>La contabilit\u00e0 per il cinema, e raccolta di leggi e disposizioni riguardanti il cinematografo<\/em><\/p>\n<p>1926<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0026948\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-301-10\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-301-10\" style=\"text-align: center;padding: 1% 0; \" data-stretch-type=\"full\" data-overlay=\"true\" ><div id=\"pgc-301-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-301-10-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"74\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/nuovi-orizzonti-cop9-001.jpg\" width=\"189\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/nuovi-orizzonti-cop9-001.jpg 608w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/nuovi-orizzonti-cop9-001-230x340.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/nuovi-orizzonti-cop9-001-350x518.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/nuovi-orizzonti-cop9-001-480x711.jpg 480w\" sizes=\"(max-width: 189px) 100vw, 189px\" title=\"nuovi orizzonti cop9-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-10-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"75\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Tarquini, Antonio<\/p>\n<p><em>I nuovi orizzonti della cinematografia<\/em><\/p>\n<p>Bucciarelli, 1922<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0005897\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-301-10-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"76\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-apparecchi-projezione-cop2-001.jpg\" width=\"190\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-apparecchi-projezione-cop2-001.jpg 610w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-apparecchi-projezione-cop2-001-230x339.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-apparecchi-projezione-cop2-001-350x516.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/Guida-pratica-apparecchi-projezione-cop2-001-480x708.jpg 480w\" sizes=\"(max-width: 190px) 100vw, 190px\" title=\"Guida pratica apparecchi projezione cop2-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-10-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"77\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Tiboldi, Primo<\/p>\n<p><em>Guida pratica degli apparecchi da projezioni<\/em><\/p>\n<p>Milano, Sonzogno, 1912<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0005925\">CSC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-301-10-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"78\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/cinematografia-e-la-legge.jpg\" width=\"197\" height=\"280\" sizes=\"(max-width: 197px) 100vw, 197px\" title=\"cinematografia e la legge\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-10-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"79\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Tiranty, Umberto<\/p>\n<p><em>La cinematografia e la legge. Manuale teorico-pratico <\/em><\/p>\n<p>Torino \u2013 Milano, Fratelli Bocca 1921<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0021057\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-10-3\"  class=\"panel-grid-cell\" ><div id=\"panel-301-10-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"80\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/07\/Tre-questioni-vitali-e1493299324287.jpg\" width=\"203\" height=\"290\" sizes=\"(max-width: 203px) 100vw, 203px\" title=\"Tre questioni vitali\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-10-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"81\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>Tre questioni vitali per la pubblica moralit\u00e0<\/em><\/p>\n<p>Torino \u2013 Milano, Fratelli Bocca 1928<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0009999\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-301-10-4\"  class=\"panel-grid-cell\" ><div id=\"panel-301-10-4-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"82\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743-301\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-cinematografia-cop1-001.jpg\" width=\"184\" height=\"280\" srcset=\"https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-cinematografia-cop1-001.jpg 593w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-cinematografia-cop1-001-230x349.jpg 230w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-cinematografia-cop1-001-350x531.jpg 350w, https:\/\/www.ilcinemamuto.it\/betatest\/wp-content\/uploads\/2016\/06\/la-cinematografia-cop1-001-480x728.jpg 480w\" sizes=\"(max-width: 184px) 100vw, 184px\" title=\"la cinematografia &#8211; cop1-001\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-301-10-4-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"83\" ><div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-301-10-4-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Vincenzoni, Guido<\/p>\n<p><em>La cinematografia<\/em><\/p>\n<p>Milano, Sonzogno, 1914<\/p>\n<p><a href=\"http:\/\/scuolacinema.sebina.it\/opac\/.do?idopac=CSC0005915\">CSC<\/a>, <a href=\"http:\/\/www2.museocinema.it\/collezioni\/PeriodiciMonografie.aspx\" target=\"_blank\" rel=\"noopener\">MNC<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&gt;&gt;Portale Cinema Muto Italiano Monografie d&#8217;epoca Elenco in progress delle monografie d\u2019epoca che documentano, dal punto di vista editoriale, la storia del cinema muto italiano: dagli scritti teorici fino ai manuali tecnici e professionali, passando attraverso l\u2019ampia letteratura divistica e i vari testi letterari connessi al cinema. Le numerose monografie d\u2019epoca che documentano dal punto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":94,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_front-page.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/pages\/301"}],"collection":[{"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/comments?post=301"}],"version-history":[{"count":102,"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/pages\/301\/revisions"}],"predecessor-version":[{"id":5272,"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/pages\/301\/revisions\/5272"}],"up":[{"embeddable":true,"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/pages\/94"}],"wp:attachment":[{"href":"https:\/\/www.ilcinemamuto.it\/betatest\/wp-json\/wp\/v2\/media?parent=301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}